Kazimir Malevich, Ivan Puni, Ivan Klyun, Olga Rozanova, Natalya Goncharova, Mikhail Larionov, Pavel Filonov, El Lissitzky, David Burliuk, Lyubov Popova. The collaboration of artists and writers led to the creation of numerous joint projects in literature, where texts and images were mutually complementary. Cubo-Futurists widely used such techniques as application and collage in their works. It also predated the new avant-garde styles such as rayonism and suprematism. It gave way to a subjectless art afterwards. Lubok and folk costume, ancient pagan sculptures, icon painting acquired abstract forms and pure colors in Cubo-Futurist paintings.Ĭubo-Futurism gained its popularity in the period from 1910 to 1915. The term surfaced in 1912, at a point when the Russian avant-garde were exposed simultaneously to Analytical Cubism and Italian Futurism. New ideas were drawn from Russian traditional techniques. Cubo-Futurism (Kubo-Futurizm) was a term used by the early 20th-century Russian avant-garde to describe literary and artistic works that represented a fusion of Cubist and Futurist styles and principles. The main goal of the art movement of futurism was the final break with academicism. The movement participants, including the “father of Russian futurism” David Burliuk, strongly emphasized their uniqueness and independence from the Italians. In 1910, the first Futurist society arose, which included poets, writers and artists Velimir Khlebnikov, the Burliuk brothers, Vladimir Mayakovsky, Vasily Kamensky, Alexei Kruchyonykh and others. Italian futurists opposed academicism, focusing at the dynamic sense of inclusive movement.Īlmost at the same time, the futurist movement began to develop in Russia. Breaking his Own Rules Giacomo Balla, Dynamism of a Dog on a Leash ( Dinamismo di un Cane al Guinzaglio), 1912, oil on canvas, 95.57 x 115.57 x 6.67 cm (Albright-Knox Art Gallery. His ideas were supported by the Milanese artists Umberto Boccioni, Gino Severini, Carlo Carra, Giacomo Balla. The Futurist artists often depicted motorized vehicles and the perceptions they made possiblethe blurry, fleeting, fragmentary sight created by this new velocity. In 1909, Italian poet Filippo Tommaso Marinetti published his Futurist Manifesto, which glorified progress, industrial development, and mechanization of production. Questions or problems regarding this web site should be directed to stimincyahoo. The plane, line, and structure of the object together with its plastic dynamics were the main focus of the masters who worked in this style. Cubo-Futurism a fusion of two equal influences from France and Italy. Cubism, Cubo-Futurism, Rayism and Suprematism, in the same composition. Cubo-Futurism emerged as a new way of avant-garde artists self-expression against the backdrop of the rapid development of technological progress. Having combined the ideas and principles of French cubists and Italian futurists, Cubo-Futurism arose as a painting style at the beginning of the 20th century, This style is characterized by the recognizable forms of realistic objects and geometric objectless planes, which are combined into peculiar rebuses.
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